Brook Andrews

Brook Andrews…..Put on the Music….Let’s Dance
Brook was a founding member of Maida Withers Dance Construction Company – 1974. He was born in Washington, D.C. and raised in Bethesda, Maryland. Brook began dancing at a very early age. He donned costumes at age four and performed for family members while his grandmother accompanied him on the piano. The urge to dance continued through his school years. He created many dances for variety shows and was deemed “best dancer” in his Walter Johnson High School yearbook. His serious training began when he was a high school senior and took a year of training at the Washington School of Ballet under the direction of Mary Day and Martin Buckner. Mr. Andrews attended Miami University in Oxford, Ohio where he majored in Visual Art. While there, he became a member of Orchesis, the university dance society where he spent many hours choreographing and developing his technique under the direction of Olga Bibza and Charlotte Honda.
Brook and his wife, Charlotte – parents of two beautiful daughters, Hilary Grace and Nori Andrews!
In 1971, Brook earned a Master’s Degree in Dance Education from The George Washington University where he was heavily influenced by professors Maida Withers and Elizabeth Burtner. Following his graduation, Mr. Andrews spent a year in New York City studying and performing with many of the top Dance professionals including Merce Cunningham, Martha Graham, Twyla Tharp, Viola Farber, Richard Thomas, Zena Rommet, Gus Solomons, and Murray Louis. He was heavily influenced by Yvonne Rainer, Steve Paxton, David Gordon, Pat Catterson, and Douglas Dunn to name a few.
In the fall of 1972, Brook accepted an assistant professorship at California State University in Fresno where he was in charge of artistic directing dance concerts, as well as, teaching all levels of modern dance technique and composition. In the fall of 1974, he accepted an assistant professorship in Washington, D.C. as part of American University’s newly established Department of Performing Arts where he remained until 1979 when he was granted tenure and promoted to associate professor.
Beginning in 1975, Brook became one of the charter members of The Dance Construction Company under the artistic direction of Maida Withers. Along with fellow collaborator, John Bailey, the trio created an extensive repertoire of innovative choreography performing in many venues in Washington, D.C. and elsewhere. Mr. Andrews retired from performing in 1985 after his appearance in Withers’ “Laser Dance” at Lisner Auditorium. He remained active as a board member of The Dance Construction Company for many years until he relocated to Rehoboth Beach, Delaware in 1997.
In addition to dance, Brook had distinctive careeers in business and in special education. Brook is a prolific visual artist creating abstract paintings of intense color.
In 2025, Brook moved to Los Angeles, California to be near his daughter Hilary Grace.

Brook Andrews, Don Zuckerman, Diane Floyd, Maida Withers Phase Tracing, Ron Quivila

Lynda Gatozzi and Brook Andrews Laser Dance I Rockne Krebs, Laser Artist
“Guess we are “Birds of a Feather.” Dance was in our genes and identities since we were born. I remember all the musical stage shows my mother took me to see at the National Theater when I was growing up including Mary Martin in “Peter Pan” and “South Pacific.” There were so many “The Boyfriend” and later “Hello Dolly” with Carol Channing who was such a fantastic performer/comedienne. At home before my teen-age years, I would go to the basement, put on the music, and dance for hours. In junior and senior high-school, my girlfriend also loved to dance so we were always making up dances performing in the school shows. I did a great sword dance in “Brigadoon” in high school. All the while I was always drawing and painting for which I received much encouragement. That is why John was such a unique friend to be blessed with two artistic outlets like I was. He is mightily missed. At least the visual arts leave tangible images while dance is fleeting. I am so happy that you enjoy viewing my print. Fate brought us together Maida. I can’t imagine my life without your genius and generous spirit. What fun we had! Great histories to look back upon. I love you, Brook”

Brook Andrews and Maida Withers, Stall. John Driscoll Rotating Loudspeaker
Collaborations
- Yesterday's Garlands and Yesterday's Kisses
- Mr. and Mrs. Sally Ride
- Orff Suite
- Time Dance (1976)
- Iwo Jima - US Marine Corps War Memorial
- Dance/Sound Events: Tin Tabernacle Series
- Catching Butterflies and Other Things That Move
- Put on the Music...Let's Dance - Interview for City Dance, ABC-TV
- Time Dance: Found Audience - Found Space (1977)
- Laser Dance: World Premiere, FCAC-TV
- Obsession - America's Obsession with Sex
- In Earth's Belly Deep - an emergence myth
- Phase Tracing
- Phase Tracing II - The Wall
- Sunday Maneuvers
- Put on the Music...Let's Dance (1977)
- White Mansions - Holy Rood Cemetery
- When Maida Moves, Interview, CBS-TV
- Put on the Music...Let's Dance (1975)
- Early works -1966 to 1973
- Pnumbral Raincoast and other performances
- Maida Withers Dance Concert (Celebrates MWDCCo Founding)
- Put on the Music...Let's Dance (1977)
- Dances on Men and Women (Repertory)
- Washington Project for the Arts - Performance
- Pnumbral Raincoast
- Pnumbral Raincoast
- Washington Project for the Arts - Performance
- Bog Works
- BLEEPERS
- Concert of Dance
- Laser Dance: Quest-Domain (no laser)
- Experimental Evening of Music and Dance
- Crossing the Edge
- Evening of Poetry and Dance I
- Laser Dance - Suites of Light, Public Presentation
- Earth Spirit Rising
- Laser 1 (1971)
- Evening of Poetry and Dance II
- Dance - Changing the System - Columbus Gallery of Art
- Time Dance (1984)
- In Winds of Sand