In Winds of Sand

Original Performance on January 29, 1993

 

 

1993 – “The act of being…creating for the Earth.”  Evening-length epoch performance and installation created and danced by Maida Withers.  The installation features visuals by Verabel Call Cluff, SandS CycleS.

SandS CycleS – an art film of Withers improvising at Coral Dunes, Utah and White Sands, New Mexico that is projected on an elaborate stage set;  slides of sand dune formations projected on the floor with 8 slide projectors, technology available at the time.  The stage dance work parallels the structure of SandS Cycles which is based on the Hero’s Journey* monomyth concept  by Joseph Campbell, psychologist and mythological researcher, writer, and scholar.  Hero’s Journey:  innocent, martyr, orphan, caretaker, warrior, destroyer, magician, and the ruler.

In Winds of Sand was performed in Washington, DC and internationally in Korea, Venezuela and The Netherlands.

Withers “Statement to the Earth” – Program Notes
“Maida Withers began exploring land sites as a place for healing and to develop artistic work.  The Coral Dunes of Utah and the White Sands of New Mexico are the Earth site sources for In Winds of Sand.  For Withers, the Coral Sand Dunes are a deep connection to her place of birth in Kanab, Utah. In 1987, Withers began the first of her landsite process creations with “Moving Earth/Dunes.”  In 1990, Withers and Verabel Call Cluff, studyng the life and rituals of Pueblo Native American peoples in New Mexico, initiated the White Sands project, shooting many of the photographs included in the production In Winds of Sand.  Withers and Cluff returned to the White Sands and the Coral Dunes in 1991 to shoot the dance video.  The performance installation of In Winds of Sand is a large painting, a subtle and shifting space much like the sands, that captures Withers’ experience of working and living with nature.”

*The Hero with a Thousand Faces, book by Joseph Campbell.  “In his lifelong research, Campbell discovered many common patterns running through hero myths and stories from around the world.  Years of research lead Campbell to discover several basic stages that almost every hero-quest goes through (no matter what culture the myth is a part of).  He calls this common structure “the monomyth.”
MRW composite,profile with MRW on red dunes8x10 AnnikaMaida, Coral Dunes, Utah; Photo by Collaborator/Filmmaker, Belle Cluff
Maida Withers_netheadSm In WindsBrazil - mrw arms open - close up thigh Sm In WindsBrazil - mrw squat arch birthing with background image Sm In WindsBRAZIL- MRW elbows sand fall background Sm In WindsBRAZIL-MRW SQUAT EAT SAND see tongue Sm In WindsKorea - MRW butterfly wings in squat Sm In WindsMRW kneeling image in background Sm In Windsmrw squat at sand with mouth and hands open Sm In WindsMRW throw net background imageM
 Net - suspended to side - many lets Korea - MRW stand diagonal and gather dress

scanTIF_MRW StretchKorea
Maida performing in Korea
MRW profile (composite photo) 8x10Annika
MRW small figure cape blow White Sands
Hokaido Japan4
Dance Magazine Editor_ShamanFamily Event
Dance Magazine Editor_Shaman Family Healing
JooksanTeachers_Korea
Jooksan Teachers_Korea

 


Artists and Collaborators
Choreographer / Dancer / Concept
Insallation: set design / fabric
Visual Images: Sands Cycle video; sand slides
Sand Paintings: Sands Cycles video
Movable Sculptures
Music: Bendir drum and vocals, Sands Cycles
Music: Ledge, Moving Earth Dunes
Music: vocals "The Boy on the Bicycle"
Costume
Production
Other Performances
  • (map) on January 21, 1994
  • Aula Magna Theatre(map) on November 1, 1997
  • 13th Korean International Modern Dance Festival, Seoul, Korea(map) on May 2, 1994
  • Munye Theatre(map) on May 4, 1994
  • School for New Dance Development; Amsterdam, The Netherlands(map) on June 13, 1996