TV Ad & Interview:  Chairman of the Board, Washington Performing Arts Society, on local ABC-TV daytime show – performance by Brook Andrews and Maida Withers live in DC TV Studio:    https://vimeo.com/90683470/

(1977) May 7 Put on the Music Let’s Dance  Forty-five minute show piece, a performance based on  film dance of 1930s and 1940s (CABARET)  An actress, live on stage at a dressing table, putting on nylons, etc,  reminisces  over memorabilia about her life as a stage dancer/actress, lover at war, of the 1940’s.  There are short segments of entertainment type dancing that is loosely based on film character prototypes and show business dancing.  The work reflects Maida’s early involvement in tap dancing and musical theater.

The original performance was created for the Washington Project for the Arts in a cabaret-type setting with dancers in period costumes where the dancers engaged more intimately with the audience.  In this version, the women played the role of men and the men the role of women in the “tap section.”

(1977) May 7 The second, more polished and sophisticated version,  was re-created for City Dance performance at Warner 1977, sponsored by Washington Performing Arts Society.

DRAG VERSION:  The more farcical  original version was performed in authentic period costumes.

STAGE SHOW (Holywood) VERSION:  For the second version, dancers wore authentic satin white costumes and white tuxedos designed and created for the period by Beth Burkhardt, Washington, DC costume designer and modern dancer.

Regrettably, there is no “live performance” of the stage version, 1977, only a walk-thru version done at Marvin Theatre since there was no opportunity for a full run for the City Dance performance at Warner Theater, May 7, 1977.

City Dance came into existence as an idea spawned by a GW MA dance student who engaged WPAS to do a city-wide dance event at the Warner Theatre in downtown Washington, DC.  Two companies shared an evening with each taking 45 minutes.  MWDCCo shared a concert with Melvin Deal’s African Heritage Dancers and Drummers.

Dance Sequence for Put on the Music…Let’s Dance:
Kay Shepperd, a central character, actress, at the front/side of the stage  went down memory lane while enjoying the privacy of herself in a space that had wall paper from the period and props from the period such as photographs of women with male dressed in army uniform, books of the period, movie star photos. etc.

Program:
Jive (each dancer acting out as a musician in an imaginary band);
Long Tail, Dexter Gordon;
Runway (fashion ending in feather headdress):
Milton Drake-Gen Oakland
Vibes (innocent male duet, vibration)Baby Dodds
The Stomp (quartet in military uniforms), Baby Dodds
Dreamtime (indulgent simplistic love), Ryerson-Watts-Eaton
Roseland (ballroom dance competition), Scott Joplin, Waller-Razaf
Silv’ry Moon (Tap in DRAG), Madden-Edwards
Struttin’ (drunkard solo with curious trio behind), Ferdinand”Jelly Roll Morton
Rose Red (Spanish solo by Withers)
Finale (quartet recalls dance styles), Louis Armstrong, Earl Hines

Brook Andrews
Brook Andrews, John Bailey, Sally Neff Brook Andrews and John Bailey (Sailor on leave)
Maida Withers and Sally Neff
Brook Andrews, Maida Withers, John Bailey, Sally Neff
Brook Andrews and Maida Withers

What the press is saying

"City Dance "77" is here and it's an idea whose time is ripe. Dance is becoming everywhere, as an art form for everyone.....City Dance has been designed, in part, to put this treasury of talen on display for a much broader public thanhas seen it in the past. It's a week-long festival of area dance troupes. Bringing Washington dance to Washingtonians was one of hte primary motivations for Nancy Pittman, the young dance graduate from George Washington University who first thought up the "City Dance" concept more than two years ago.
"The Dance Construction Company, led by Maida Withers explores the frontiers of avant-garde dance, and has performed in such offbeat sites as cemeteries, sidewalks, elevators, and cafeterias. " Alan M. Kriegsman

"...four dancers' sophisticated, super-polished,urbane, witty and slick depiction of the dance style of the 30's...one of the most successful ventures of the many of this kind I have seen." Frances Wessells